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10 Tips to Improve Your Sax Playing

sax

Musicians play music because we love it, but everyone has a beginning point and all of us work to improve our performances. Below are some easy ideas to make your time on a sax better & more fun!

Number 1: Post your fingering chart where you see it on a daily basis

For me, there are always one or two very high notes that I forget if they aren’t in the music pieces I am working on. I have posted my fingering chart by my bed and see it before I fall asleep at night. If you don’t have a fingering chart, buy one! They are small, inexpensive and readily available at most music stores.

Number 2: Wet your reed before you play

The first thing I do when I pull my case out is pop the reed I want to use in my mouth, and keep it there while I assemble my saxophone and sheet music. This helps your reed vibrate more efficiently right when you start playing.

Number 3: Pick a position and stay with it

Depending on who taught you to play the saxophone, you either hold your instrument between your legs or to the right side of your legs. There are merits to both methods, and it is completely personal preference. Try both methods, and then pick the one that you prefer. But either way, stick with it!

Changing your position constantly will hurt your ability to play. This is because you will be concentrating on how to reach that difficult fingering through a different hand position instead of a perfect vibrato or even tone. When you switch positions, the angles change. This changes everything!

Number 4: Posture

Remember when you first started classes or lessons, one of the first things you learned was to sit up straight? We’re back to basics for this tip. By sitting up straight, your diaphragm has more room to expand. This means the ability for longer and more powerful notes, and stronger vibrato and tone.

Number 5: Tighten your Ligature

Have you ever gotten that awful bubbly noise of water under your reed? It will completely destroy any piece you try to play, and sometimes it isn’t possible to stop in the middle of a piece. Turning your ligature joint an extra half turn can make all the difference in the world.

Number 6: Make sure your reed is the right level of hardness

Have you ever stopped playing for about a month, and you start to play with your favorite old reed, and you’re like “Wow! I don’t remember having to push this hard last time I played”? And that is because you didn’t! Your embouchure (the way you handle the mouthpiece and reed in your mouth or the muscles controlling those motions) has grown weaker over the month you’ve been away. On the flip side, if you’ve been playing more than usual your embouchure will have grown stronger. Make sure you get the strength of reed that corresponds with your strength for optimum tone!

Number 7: Use a neck strap

Using a neck strap, especially when you’re playing standing up, is crucial. Distributing the weight off of your thumbs enables your fingers to move more swiftly and efficiently.

Number 8: Cite-read a piece before you start learning it

There are special competitions for cite-reading, for both individuals and bands. Being able to look at a piece of music and run through it a few times, and then being able to play it fairly well shows musical prowess. Cite-reading sometimes, even if you don’t want to compete in it, is a great way to stretch your music reading muscles. I tend to cite-read a piece of music that I am going to learn to play, before I start breaking it down measure by measure. I’ve noticed a dramatic increase in my music reading ability since starting this. To top it off, once you get the hang of cite-reading it is really fun!

Number 9: Play in an area with good lighting

There is nothing worse than playing in an area with subpar lighting. You can’t see the notes right. Playing in the sunshine or in a well light area just improves your mood. I play below a window and have a lamp by the window for playing at night.

Number 10: Invest in high quality reeds

Have you ever had a reed splinter in your mouth? It hurts and tastes really awful. Since then, I have always purchased a higher quality reed. Originally it was to avoid another “Fantastical Exploding Reed” but my tone quality has improved so much. And please, none of those fiberglass reeds. Only reeds made of cane or other natural materials for better tone and control!

The post 10 Tips to Improve Your Sax Playing appeared first on Willis Music – Louisville.

Tired of the Cold Weather Making Playing Music No Fun? Click Here for Great Tips From Willis Music!

ice cold

The weather around here has been kinda cold, snowy & icy lately, and that can make playing your horn a lot less fun. Here are some tips to help you tackle frozen facial muscles when you arrive at rehearsals and concerts:

Tip #1: Wait

Once you come in from the cold at your rehearsal or concert venue, wait. Open your case, but don’t get your instrument out to start warming up straight away. Instead, allow for your body to re-adjust to the warmth, and for the blood to start pumping again to your extremeties, and facial muscles.

Tip #2: Keep your mouthpiece warm

Instead of allowing your mouthpiece to freeze in your instrument case, try keeping your mouthpiece in a pocket close to your body.

Tip #3: A face warmer?

When you arrive at your rehearsal or concert venue, remove your mouthpiece from your pocket or instrument case, and run it under hot water. Once it is hot, press your mouthpiece gently against your cheeks. The warmth from the hot mouthpiece will help thaw frozen facial muscles more quickly.

Tip #4: Cloth and plastic

If you are to be performing outside don’t forget a thin pair of gloves! Some pros invest in a plastic mouthpiece, so that may be of interest as well.

Tip #5: Lip balm

Use a lip balm before you go out in the cold, and after playing. This will help you to prevent sore, dry, and cracked lips. Avoid medicated balms made for cold sores since these can actually dry your lips out.

Written by “Mohawk” Mike, Louisville Store Manager/Arctic Studies Hobbyist

The post Tired of the Cold Weather Making Playing Music No Fun? Click Here for Great Tips From Willis Music! appeared first on Willis Music – Louisville.

BIG BAND BONANZA IS TOMORROW! (click for pic)

That’s right friends!  12 brands, TONS of instruments, and the BEST industry reps on site to help you select the proper instrument for your continued playing!

Still playing on an entry level instrument?  Discouraged that you aren’t playing as loudly or as clearly as you would like?  Come hear what the real difference is in instruments!  Grab your favorite mouthpiece and come play!

Trade-ins welcomed!  12 Month Financing Available!  Expert opinions from brand reps and your FAVORITE Willis Music Team!

BIG BAND BONANZA! It’s time to Step Up!

July 18th- Join us at Willis Music Tri County Mall for the absolute BEST time to select your intermediate, advanced, or pro grade instrument!

We will have specialists ON SITE from: Jupiter, Bach, LeBlanc, Selmer, Conn, Buffet Crampon, Keilwerth, King, Gemeinhardt, Besson, B&S, and Courtois.  Yes!  That’s correct, 12 brands on site to choose from!!!

Have an instrument you want to upgrade? TRADE IT IN!  Need time to pay it off?  Financing will be available!  Excited?  Let us know you coming!!

Questions & Interest?  Email: tricounty@willis-music.com or call Stephanie or Kevin: 513.671.3288!

HUGE Storewide Used Gear & “New Old Stock” Sale June 21-24th Celebrating National Music Day

Friday June 21st is summer solstace, the first day of summer,  and National Music Day.
What better time to play music than the longest day of the year? In celebration we are having a HUGE weekend sale, Friday June 21st through Monday June 24th.

We are having a HUGE store-wide sale on all of our used gear and “New Old Stock” items this weekend, Friday June 21st to Monday June 24th. Save an additional 20% off our already priced to move “Amazing Deal” and Closeout tagged items.

Save at least 20% off the tagged price of any used item in the store. We are over run with used gear and merchandise that’s been here too long, and need to move some. These will be the best prices all year long on our used inventory.

There are tons to choose from in EVERY department of the store including: pianos & keyboards, electric guitars and amps, acoustic guitars, bass guitars and amps, percussion, live sound reinforcement and Band & Orchestra.

Here are just a few examples of the savings:

Band and Orchestra:
Musino 4/4 violin outfit, used, was $129.99, Sale Price $99.00
Yamaha TR200AD Trumpet, used was $395.00, Sale Price $299.00
Emerson Solid Silver open hole Flute, used, was $495.00, Sale Price $395.00
Jupiter CXL Tenor Sax, new old stock, was $1975, Sale Price $1575.00
Jupiter CXL Flugelhorn, new old stock was $749.00, Sale Price $599.00

Pianos and Keyboards:
Yamaha PSR-550 arranger used, was $399.00 Sale Price $319.20
Kohler and Campbell console piano, used (Only 3 yrs old) was $2295.00 Sale Price $1836.00
Jesse French spinet piano, used, was $599.00, Sale Price $479.80
Baldwin Acrosonic piano, used, was $1595.00, Sale Price $1276.00
Orla 88 note Digital piano, new old stock was $715.00, Sale Price $572.00

Drums and Percussion:
Verve 5pc. set complete, used, was $249.00, Sale Price $199.99
Mapex Meridian Maple 5pc. new old stock, was $715.00, Sale Price $572.00
Mapex Meridian Birch 5pc. new old stock was $675.00, Sale Price $540.00
Tama Rhythm Mate complete 5pc. new old stock, was $545.00, Sale Price $436.00

Live Sound Re-inforcement:
Peavey 20USB mixer, used, was $440.00, Sale Price $352.00
M-Audio NRV-10 firewire mixer, new old stock, was $269.99, Sale Price $215.00
Peavey SP-5 15″ Speakers, new old stock, was $355.00, Sale Price $284.00 each
Peavey Impulse 15″ Speakers, used, was $299.00, Sale Price $239.00

Electric Guitars:
Godin Triumph (silver sparkle), used, was $299.00, Sale Price $239.00
Epiphone G-400 SG, used, was $259.00, Sale Price $199.00
Ibanez Talman, used, was $349.00, Sale Price $279.00
Jackon Demolition V, used, was $550.00, Sale Price $439.00
Schecter Damien 7, 7 String, used, was $249.00, Sale Price $199.00
Eastwood Sidejack Baritone, used, was $339.00, Sale Price $269.00
Fender USA Hot Rod ’52 Tele, used, was $1349.00, Sale Price $1079.20
Fender USA ’70s Reissue Strat, used, was $849.00 Sale Price $679.20

Electric guitar amps:
Fender FM-212R used, was $269.99 Sale Price $215.00
Peavey Vypyr 100, new old stock, was $325.00 Sale Price $260.00
Peqvey Vypyr Tube 120, new old stock, was $375.00 Sale Price $300.00
Bogner Alchemist 212, new old stock, was $719.00, Sale Price $575.20

Bass Guitars:
Warwick Rock Bass 5, 5 string, used, was $349.00, Sale Price $279.00
Warwick Rock Bass Vampyre, used, was $349.00, Sale Price $279.00
OLP Stingray Bass, used, was $169.00, Sale Price $135.00
Fender Road Worn ’50s P-Bass, new old stock, was $619.99,  Sale Price $495.00
Dean Sledgehammer
, used, was $329.99, Sale Price $265.00
Peavey Milestone EXP, used was $119.99, Sale Price $95.00

Acoustic Guitars:
Takamine EG-541C, used, was $275.00, Sale Price $219.00
Dean Performer ac/el, used was $259.00, Sale Price $179.00
Fender CD-60, used was $169.00, Sale Price $135.00
Gibson DSM, used, was $875.00, Sale Price $699.00
Fender MA-1, 3/4 size, used,  was $109.00, Sale Price $85.00
Yakima Classical, used, was $75.00, Sale Price $59.00

plus much, much, much more!!!! Stop in and SAVE BIG $$$$